While accident-prone sports photographer Cory tries to win over buddy's ex-wife, his free-spirited co-worker Annie tries to win Cory over.

Having recovered from his wounds Andy Dalziel returns to the fold just as Peter Pascoe is in the midst of an undercover operation trying to capture a serial killer. Peter corners the man who then jumps to his death but the only witness turns out to be Abbie Hallingsworth who was kidnapped 19 years before and presumed dead. More difficult however is that her kidnapper, Gus Mullavey, confessed to her murder and is still in prison, though now on his deathbed. Dalziel has a great deal of difficulty in accepting the situation and Abbie's family has mixed feelings about her return, especially one of her two brothers who is simply not prepared to accept her claim. DNA testing confirms her identity but the police soon have a murder investigation on their hands when Abbie is found dead. When they learn that one-third of the Hallingsworths' considerable family wealth was in trust for Abbie, they focus on Abbie's brother David as the most likely suspect. It turns out that nothing is as it seems,...

During the Turkish artistic revolution of the 1930s, a group of pioneers staged Özsoy Opera, the first opera in the history of Turkish Republic.

Writer/director Athina Tsoulis's short film is a portrait of an immigrant Greek family in 1950s Auckland. The story focusses on middle child Thalia (Alexa Tsoulis Reay), who enjoys a close relationship with her mother Despina (Vicky Yiannoutsos). Father Dimitri (Yianni Tsitsiridakis) is a macho former soldier who frustrates his wife with his frequent nights out at the 'mens' club'. When Thalia goes to hospital for an operation, her feelings about her dad change. Tsoulis was born in Greece and grew up in Australia in a large Greek community.

From the life of an old theater comedian.

In this charming animated short, a musician drops his son off at day care and returns home to work. Suddenly, the telephone rings. His son leaves a message on the answering machine, "I love you, Daddy." The father tries to concentrate on his composition, but the telephone rings throughout the day, the messages becoming more poignant. Touched by his child's love, the musician, at last, begins to play a beautiful melody on his clarinet. His imagination soars into the clouds and beyond, eventually gliding down to Earth on the beam of a spotlight, where he performs before a full audience. Every seat is occupied by his son, who sings along, "La, la, la, la..."

The pro-Palestinian, anti-capitalist, BDSM-provocative, techno-punk performance art ensemble Hatari unsurprisingly drew attention to themselves with their performance at the Icelandic qualifiers for the Eurovision Song Contest. So much so that they won and therefore were allowed to perform at the main event in Tel Aviv. But what now? Should they boycott the event, swallow their idealism, or use their airtime to criticise the host country for their illegal occupation of Palestine? The Icelandic director Anna Hildur joins the boys in the band all the way to the fateful final.

Entertaining antiques quiz programme with two celebrities and two antiques experts. A mystery object was handed to the celebrities in turn who had to describe what it was, how old it was and how much it was worth. The object was then passed on to the experts who explained more about the object.

During the war, a hick soldier bursts into song at every turn.

An impressively done new documentary taking a look back at the making of this picture. Interviews with everyone from director Pollack to composer John Barry take us through the memories of the making of the picture. In between interview segments are looks and thoughts on and at the history of the story and Africa itself. Especially entertaining is when Streep and Pollack talk about working with the animals.